Director:Zack Snyder Writers:Zack SnyderKurt JohnstadShay Hatten StarING:Sofia BoutellaDjimon HounsouEd Skrein VFX:Framestore ROLE:Compositor I recently had the chance to work on Rebel Moon: Child of Light at Framestore Vancouver, my first project with the team on this side of the country. It’s been a fantastic experience—not just because of the project itself but also because working…

Director:James Gunn Writers:James GunnJim StarlinStan Lee StarING:Chris PrattChukwudi IwujiBradley Cooper VFX:Framestore ROLE:Compositior I had the exciting opportunity to contribute to Marvel Studios’ “Guardians of the Galaxy Vol. 3” as a VFX compositor with Framestore. This project showcased the power of global collaboration in the modern VFX industry and allowed me to push the boundaries of…

VFX:pixomondo Role:Compositor “See” Season 3 At Pixomondo, my role on “See” Season 3 was multifaceted, combining technical development with creative showcasing: This project enhanced my technical skills across multiple disciplines and deepened my understanding of the entire VFX pipeline. The tools I developed streamlined our workflow, while the breakdowns effectively demonstrated Pixomondo’s expertise in environmental…

Production :BArtonlini Productions This was a quick little Digital Matte Painting and compositing job. I had to do a full extension of the sky and add mountains. After a small talk with the client, they asked me to lower the god rays a little (hihihi). Other than that, they were very happy with the result!

DirectorJames Gunn Release DateJuly 30, 2021 (UK) Distributed byWarner Bros.Warner Bros. Pictures Based onCharacters from DC CinematographyHenry Braham VFXFramestore OccupationCompositor

Production :Bartolini Productions Director & Cinematographer :Danik Gollain-Bartolini Editing & Colorisation :Danik Gollain-Bartolini VFX :Emile Massie-Vanasse First time with Bartolini Productions I had worked with Danik before on a small commercial where I had te replace a iPhone screen. When Danik hit me up again this time I did remember his name and I was…

Production :Télescope Films Concept :Vincent René-Lortie Editor :Vincent René-Lortie VFX :Philippe ToupinEmile Massie-Vanasse Colorist : Simon Boisx Scene Tracking At first, I got contacted by the On Set VFX artist Philippe Toupin to track the shot. He was smart enough to add some circle stickers and the prop beluga they had made. I was hard…

Initial release:August 14, 2020 Directors: Ariel SchulmanHenry Joost Distributed by: Netflix Produced by: Eric NewmanBryan Unkeless VFX :Framestore Role:Paint & Roto My second major project at Framestore Montreal was working on the Netflix film “Project Power.” This action-packed superhero thriller presented unique visual effects challenges, but none more demanding than the infamous ice sequence. The…

Initial release: June 12, 2020 Director: Kenneth Branagh Adapted from: Artemis Fowl Production company: Walt Disney Pictures VFX:FRAMESTORE ROLE:PAint & Roto My Journey from Freelance to Framestore Montreal When I first stepped into Framestore Montreal’s office as a Paint and Roto Artist, a mix of excitement and nerves coursed through me. Coming from a freelance…

Directed by Vincent René-LortieBrittney Canda Produced by Samuel Caron Production company: Telescope Films Cinematographer: Vincent René-Lortie Editors: Guillaume Marin Vincent René-Lortie Color grading: Simon Bøisx This was my first COVID-19 Videoclip. To make everything smoothly, I asked the director to join me into a screen sharing session where we could both talk about the shot…

Keying and Roto I had to pull simple mattes and rotos to hide some part of the particles behing and in front of the caracter and différent objects in the scene. Particle System I had to simulate a different particle system for everyshot that needed snow since the camera was constatly changing from shot to…

This project was a blast ! I took as a chalange to do 36 Shots in a week. I had to do the online preparation and conform for color grading and exported all the shots in ProRes 4444 with keyed alpha that could be used for grading only the character and change the background darkness. Keying…

I collaborated on this wonderful project with a very nice team at The Workshop. We had to deliver 67 shots in one month. All the footage we received was shot in the LA studios on a green screen. BACKGROUNDS The backgrounds had to be created from scratch from green screen assets that were also shot…